Upendra Bhanja (born during 1670 (opinions differ between 1670 and 1688) at Kullada, Ghumusara, a princely state in Odisha and died during 1740 (again opinions differ)) was considered as the greatest poet of Odia Literature and was awarded the title “Kavi-Samrata” (also given as Kabi) – “The Emperor of the Poets”. Born in a royal family, Upendra Bhanja had never eyed for throne. His first wife was the sister of the king of Nayagarh and the daughter of the king of Banapur was his second wife, who was an erudite princess and gave Upendra Bhanja poetical inspiration in an abundant measure. His grandfather King Dhananjaya Bhanja was a great poet and wrote Raghunath Bilash (The Ramayana), Ratna Manjari (a poetical romance) etc., which provided models to Upendra Bhanja for writing. But unlike his grandfather, he preferred his entire life to poetry rather than to ruling over a kingdom. He had a thorough training in Sanskrit classical literature and mastered Sanskrit dictionaries such as Amar-Kosha, Trikanda Kosha and Medini-Kosha. He even wrote a dictionary Geeta bhidhana for helping poets. 


Upendra Bhanja wrote some 52 books of which only 20 or 25 are available now. Due to the absence of a printing press, many of the hand-copied books have been lost. Some of his eminent Kavyas are Baideheesha Bilasha (with “Ba” initial for each line), Rasalila, Brajaleela, Subhadra Parinaya(with “Sa” initial for every line), Lavanyabati, Premasudhanidhi, Rasikaharabali, Subhadra-Parinya and Chitrakavya-Bondodhya Labanyabati, Koti Brahmanda Sundari, Kala Koutuka (with “Ka” initial for every line), Satisha bilasa” (with initial ‘sa’ initials every line), “Damayanti BiLasa” (with ‘da’ initial each line) and “Padmabati Parinaya” (starts with ‘pa’) etc.
The first published work of Upendra Bhanja is “Rasapanchaka”. The first dictionary “Geeta Abidhan” was written by Upendra Bhanja in Odia literature. Kavi Samrat is not the title of Upendra Bhanja. He was rather entitled as “Bira Bara” as admitted by Upendra Bhanja in his kavyas such as Baidehisabilas,Subhadra Parinya, etc. Kavi Samrat, the title is found in the early part of 19th century in a book written by Mahendra Patnaik. Upendra Bhanja contributed 32,300 words to Odia language and literature.The obscurity of Upendra bhanja, an incomparable poet of Odia literature,may be attributed to the lack of proper research. Plot and character in Bhanja literature plays negligible role but imaginary ornamental expression by way of literary techniques of the classical Indian literature dominates with magnetic, lovable, intellectual manner. So study of Upendra Bhanja requires high academic pursuits as well as sensible appreciation of art and literary value of the reader along with wide study range in the field of classical Indian literature and appreciable order of morality and spiritual thought. So for Upendra Bhanja, plot and character are not important but momentous feeling influences the character as well as the plot in the structural poetic forms and techniques with explosive reason and emotion in a way of synthetic, stylistic approach in almost all aspects of his expression through Odia language, literature, culture, socio-cultural behaviour, with high moral order and thoughts of superior human being. On the other hand his writings are being popularised by the commoners because of sensible, emotional touch with sympathetic unusual feelings of the human kind in the context of aesthetic sense and sensibility along with love and lovability of the mankind as experienced through the ages of time together.Strangely,without any deep appreciation of human value and literary appreciation with standard principles of study literature as prescribed in the research methodology and literary criticism with reference to classical Indian poetics, the poet Upendra Bhanja is being misunderstood by some pseudo critics/scholars and writers with biased opinions and unscrupulous baseless manners.


Upendra Bhanja wrote in the last decade of seventeenth and the early decades of eighteenth century and championed a style of poetry called ‘Reeti’ and ‘Deena’ in Sanskrit poetics. Though many poets in the seventeenth and eighteenth centaurs write in reeti style, Upendra Bhanja is decided by the greatest of them all. Whether it is shringara, viraha, bhakti or karuna rasa, Upendra Bhanja is the poet of unsurpassed rhetorical excellence. We may venture to say that, apart from Sanskrit, no other language has a poet to compare with him.Upendra Bhanja had practiced his great poetic talents in using “upama”,”alankara”, “rasas”in all his Kavyas.
The greatness of Upendra Bhanja was in his “Alankara” use such as: Anuprasa, Jamak, etc. The style of presenting facts with comparable factors (upama) is very distinguishable in his
“Vidaish bilasha” is the pioneer work of Upendra Bhanja as declared by the poet.”Rasika Harabali” was written on the basis of his own experience at the early part of his young life.His contemporary poet of Bhakta Kavi, Dina Krushna Das as described in his work “Kala Koutuka”.The socio-cultural way of contemporary Odias are vividly described in his literature .Upendra Bhanja is not only eminent poet of odisha but also his writings will be explained through all classical contemporary music systems of India.


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